1933
The Keyhole (1933) Review, with Kay Francis and George Brent
Kay Francis and George Brent do their best to lift this One Way Passage ripoff.
1930
Burning Up (1930) Review, with Richard Arlen and Mary Brian
Lou Larrigan Richard Arlen Ruth Morgan Mary Brian Windy Wallace Sam Hardy Released by Paramount Directed by A. Edward Sutherland Run time: 60 minutes Burning Up: Pedal to the Metal “The only things I get a kick out of are good food, smooth liquor, and easy money!” “You passed Read more…
1932
Forgotten Commandments (1932) Review, with Sari Maritza and Gene Raymond
Paul Ossipoff Gene Raymond Anya Sorina Sari Maritza Prof. Marinoff Irving Pichel Released by Paramount Directed by Louis Gasnier and William Schorr Run time: 75 minutes Proof That It’s a Pre-Code Film This is a film set in godless Communist Russia, so it’s kind of iffy what you could have Read more…
1930
The Woman Racket (1930) Review, with Tom Moore and Blanche Sweet
Tom Tom Moore Julia Blanche Sweet Chris John Miljan Released by MGM Directed by Albert H. Kelley, Robert Ober, and Paul Bern Run time: 70 minutes Proof That It’s a Pre-Code Film Julia is a sweet gal who leaves her husband and has a few love affairs without ever ending Read more…
1933
East of Fifth Avenue (1933) Review, with Wallace Ford and Mary Carlisle
Vic Howard Wallace Ford Edna Howard Mary Carlisle Kitty Green Dorothy Tree Released by Columbia Directed by Albert S. Rogell Run time: 72 minutes Proof That It’s a Pre-Code Film There are two plot lines here that would be on the bad side of the censors. The first is Dorothy’s Read more…
1932
Pack Up Your Troubles (1932) Review, with Laurel and Hardy
Laurel Hardy Eddie’s Little Girl Jacquie Lyn Released by Hal Roach Studios Directed by George Marshall, Harry Black, Ray McCarey and Lloyd French Run time: 68 minutes Proof That It’s Pre-Code In this lighthearted, rollicking Laurel & Hardy picture, we are treated to a scene where ‘Eddie’s Little Girl’ is Read more…
1932
The World and The Flesh (1932) Review, with Miriam Hopkins and George Bancroft
Kylenko George Bancroft Maria Miriam Hopkins Dmitri Alan Mowbray Released by Paramount Directed by John Cromwell Run time: 72 minutes Proof That It’s a Pre-Code Film The plot hinges on a single night of lovemaking where Maria must seduce and distract Kylenko from his duties as a sailor. When he Read more…
1932
Evenings for Sale (1932) Review, with Herbert Marshall and Mary Boland
Count Franz von Degenthal Herbert Marshall Jenny Kent Mary Boland Lela Fischer Sari Maritza Released by Paramount Directed by Stuart Walker Run time: 66 minutes Proof That It’s a Pre-Code Film “He ought to attract all the unsatisfied ladies of Vienna. Of Europe!” “Don’t forget America. America is full of Read more…
1934
Death Takes a Holiday (1934) Review, with Fredric March
Death Fredric March Grazia Evelyn Venable Sir Guy Standing Duke Lambert Released by Paramount Directed by Mitchell Leisen Run time: 80 minutes Proof That It’s a Pre-Code Film “I’m too restless for marriage. Besides, I’ve had that once.” Death Takes a Holiday: Knocking on Heaven’s Door “A moment ago I Read more…
1931
City Streets (1931), with Sylvia Sydney and Gary Cooper
“Kid”Gary Cooper NanSylvia Sydney “The Big Fella”Paul Lukas Directed by Rouben MamoullianReleased by Paramount PicturesRuntime: 82 minutes Proof That It’s Pre-Code Concerns bootleggers and beer barons. City Streets: Wrong Ways “Good kid. You’ll never tell nobody nothing.” Rouben Mamoullian’s City Streets is a particularly stylish entry in the early-30s gangster Read more…