Millie (1931) Review, with Helen Twelvetrees and Lilyan Tashman

Millie Helen Twelvetrees Helen Lilyan Tashman Angie Joan Blondell Released by RKO Directed by John Francis Dillon Run time: 85 minutes Proof That It's a Pre-Code Film We're introduced to Blondell and Tashman's characters shacked up in bed … Continue reading →

Beauty for Sale (1933) Review, with Madge Evans and Alice Brady

Letty Madge Evans Mrs. Sherwood Alice Brady Sherwood Otto Kruger Carol Una Merkel Mrs. Merrick May Robson Burt Barton Phillips Holmes Released by MGM Directed by Richard Boleslavsky Run time: 86 minutes Proof That It's a … Continue reading →

The King Murder (1932) Review, with Conway Tearle and Natalie Moorhead

Henry Barton Conway Tearle Elizabeth Hawtorn Natalie Moorhead Pearl Hope Marceline Day Released by Chesterfield Pictures Directed by Richard Thorpe Run time: 67 minutes Proof That It's a Pre-Code Film One of those films with breach of promise suits … Continue reading →

The Office Wife (1930) Review, with Dorothy Mackaill and Lewis Stone

Anne Murdock Dorothy Mackaill Lawrence Fellowes Lewis Stone Katherine Joan Blondell Released by Warner Bros. Directed by Lloyd Bacon & Michael Curtiz Run time: 59 minutes Proof That It's a Pre-Code Film Katherine is an author who dresses in suits and … Continue reading →

Day of Reckoning (1933) Review, with Richard Dix and Madge Evans

John Day Richard Dix Dorothy Day Madge Evans Mamie Una Merkel Released by MGM Directed by Charles Brabin Run time: 68 minutes Proof That It's a Pre-Code Film Adultery. One man asks the prison librarian, "Do you have a book on sex?" There are … Continue reading →