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Genres

1933

Peg o’ My Heart (1933) Review, with Marion Davies

Peg Marion Davies Jerry Onslow Stevens Alaric Tyrell Davis Released by MGM Directed by Robert Z. Leonard Run time: 86 minutes Proof That It’s a Pre-Code Film “You little Irish–!!” Our hero, Peg (Davies), pretends to have an illicit extramarital affair in order to help another woman out. Peg O’ Read more…

By Danny, 6 years ago
1932

The Conquerors (1932) Review, with Richard Dix and Ann Harding

Roger Standish Richard Dix Caroline Ogden Ann Harding Matilda Blake Edna May Oliver Released by RKO Directed by William Wellman Run time: 86 minutes Proof That It’s a Pre-Code Film There are a couple of particularly brutal episodes in this one, including a child begging for its life before dying Read more…

By Danny, 6 years ago
1930

Passion Flower (1930) Review, with Kay Francis and Charles Bickford

Dulce Morado Kay Francis Cassy Pringle Wallace Kay Johnson Dan Wallace Charles Bickford Tony Lewis Stone Tommy Dickie Moore Mrs. Harney Zasu Pitts Released by MGM Directed by William C. DeMille Run time: 78 minutes Proof That It’s a Pre-Code Film Worried that she almost fell off a cliff, Dulce Read more…

By Danny, 6 years ago
1932

Hell’s House (1932) Review, with Bette Davis and Pat O’Brien

Jimmy Mason Junior Durkin Matt Kelly Pat O’Brien Peggy Gardner Bette Davis Released by Allied Artists (?) Directed by Howard Higgin Run time: 72 minutes Proof That It’s a Pre-Code Film One early scene has Jimmy Mason (Durkin) trying to pick the right door to knock on, and he plays Read more…

By Danny, 6 years ago
1933

The World Changes (1933) Review, with Paul Muni, Aline MacMahon and Mary Astor

Orin Nordholm Jr. Paul Muni Anna Nordholm Aline MacMahon Ginny Claffin Mary Astor Released by Warner Bros./First National Directed by Mervyn LeRoy Run time: 91 minutes Proof That It’s a Pre-Code Film A broad historical overview that features suicide, multiple marriages and even the Great Depression. The World Changes: Never Read more…

By Danny, 6 years ago
1931

Millie (1931) Review, with Helen Twelvetrees and Lilyan Tashman

Millie Helen Twelvetrees Helen Lilyan Tashman Angie Joan Blondell Released by RKO Directed by John Francis Dillon Run time: 85 minutes Proof That It’s a Pre-Code Film We’re introduced to Blondell and Tashman’s characters shacked up in bed together. Frank McHugh has a musical number (yes) about being a beautiful Read more…

By Danny, 6 years ago
1933

Beauty for Sale (1933) Review, with Madge Evans and Alice Brady

Letty Madge Evans Mrs. Sherwood Alice Brady Sherwood Otto Kruger Carol Una Merkel Mrs. Merrick May Robson Burt Barton Phillips Holmes Released by MGM Directed by Richard Boleslavsky Run time: 86 minutes Proof That It’s a Pre-Code Film “You know how divorces are.” “I’ve never been married.” “Not even once?!” Read more…

By Danny, 7 years ago
1932

Young Bride (1932) Review, with Helen Twelvetrees and Eric Linden

Allie Riggs Helen Twelvetrees Charlie Eric Linden Maisie Arlene Judge Released by RKO Pathe Directed by William A. Seiter Run time: 76 minutes Proof That It’s a Pre-Code Film At the library: “Where can I get an illustrated copy of Aphrodite?” “If you go out with that guy, you’ve got Read more…

By Danny, 7 years ago
1933

Twin Husbands (1933) Review, with John Miljan and Shirley Gray

Jerry John Miljan Chloe Shirley Gray Colton Monroe Owsley Released by Invincible Pictures Directed by Frank R. Strayer Run time: 68 minutes Twin Husbands: Twisted Misters “I can’t pretend to be the victim of amnesia for more than a few hours at a time. My ego won’t permit it!” On Read more…

By Danny, 7 years ago
1930

Spring Is Here (1930) Review, with Lawrence and Alexander Gray

Steve Alden Lawrence Gray Terry Clayton Alexander Gray Betty Braley Bernice Claire Released by First National Directed by John Francis Dillion Run time: 69 minutes Proof That It’s a Pre-Code Film Dad: “Am I your father?” Daughter: “I hope so.” Dad: “So do I!” A man’s grown daughters contend that Read more…

By Danny, 7 years ago

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Pre-Code.Com celebrates Hollywood films made from 1930 to 34, when the talkies were new and censorship was lax. Learn more about the era here, or browse our many reviews.

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