|Lt. Bob Denton …
Laura La Plante
Proof That It’s Pre-Code
- In a men’s locker room, you sometimes see men’s hinders lurking in the background.
- A Mexican prostitute keeps accusing a jerkwad of being a “Poco hombre!” which probably ain’t super risque, but funny nonetheless. She’s also ‘completely lit’ and drinking straight from the bottle.
Arizona: A Dusty Tale
John Wayne was still struggling in 1931. A year after his first starring role in the flop The Big Trail and eight years before hitting it big in Stagecoach, he was still assigned to lead roles though in less-than-prestigious pictures. And less-than-prestigious is probably the nicest thing you can call Arizona.
Shedding his cowboy hat for a military uniform, Wayne is Lieutenant Bob Denton, a military cadet with a roving eye. He’s dated Evelyn for the last two years, but he’s graduating soon and making his way to Arizona to be the right hand man of his mentor, Colonel Bonham (Forrest Stanley). As soon as she hints as a wedding ring, he breaks it off with her.
The problem with this scene, one of the earliest in the picture, is twofold. We’ve already been told that Bob is a fan of the ladies and that they all have ‘an understanding’. Why he has this reputation after two years of going steady is puzzling enough, but in the course of the scene Bob sees a picture of Evelyn’s sister and, to say nothing of Wayne’s acting talent, pretty much starts to drool all over it.
It makes Bob into a leering slime ball and Evelyn into thick numbskull, which are not the most appealing characters to follow. Don’t worry, though, it gets sillier.
Evelyn, feeling pretty angry, especially when Bob shows up to a party later that night with a different woman, decides to get revenge in the most ludicrous way you can imagine: she seduces and marries Colonel Benham. While most of us nowadays would probably see this as a little crazy, Evelyn laughs maniacally, waiting for Bob to arrive at his new post in the Arizona desert to discover her joke.
The entire movie is a baffling observation of Evelyn whose endgame is never clear or even sensible (actress La Plante is the star of the movie for the record, billed above Wayne). She’s a sociopath, through and through, and by the time she gets to the film’s end, she’s ruined the lives of three other people out of nothing but short sighted selfishness.
For example, while she does get to smirk and prance in front of Denton as he now must kowtow to his friend and mentor’s new wife, she still feels unsatisfied. In a fit of poor planning, she’s also brought her spunky kid sister, Bonnie, along for the ride. Staying true to that copious drool he paraded around earlier, Bob sets about seducing Bonnie while Evelyn gets caught up in trying to foil Bob’s happiness at every turn.
This conflict peaks when Evelyn decides to rip her dress and fake to the Colonel that Bob tried to rape her. The rape gets a couple of polite metaphors (yes, it is even referred to as ‘making love’, the 1930s catch-all for naughtiness), and everyone is absolutely aghast.
Learning that Bob and her sister were secretly married a few months earlier, Evelyn realizes that Bob really does love Bonnie, and reluctantly confesses her misdeed to her husband. Relieved to find that his friend wasn’t really a rapist and that his wife was simply a mentally unstable whack, he sends Bob and Bonnie to San Francisco and forgives his wife. For some reason.
Arizona is an extremely contrived melodrama which features ‘interesting moments’ rather than ‘redeeming features’. Bob is a pervert until he’s redeemed by Bonnie’s love, or so we’re led to believe. Evelyn is a schemer who comes to regret all of her lies until she doesn’t. Only the Colonel comes across with any sense of decency or warmth, but his ability to forgive and move on smacks of screenwriter contrivance.
What’s the moral of Arizona? I guess that human pettiness has no bounds, that honor means squat, and not to mess around or you might piss off the wrong woman. Men are idiots, women are crazy. If you want to improve on the experience of Arizona in 1/100th of the time, I recommend just watching a laundry commercial.
Trivia & Links
- This one was reviewed in the New York Times (second review down) as Men Are Like That. The reviewer also surmises that, “it is hardly a film that can be characterized as good entertainment.”
- This piece over on Immortal Ephemera discusses where Wayne’s career was around the time that this was made… and it’s none too rosy.
- TCMDB notes that there were two previous versions of this movie, one from 1913 and the other from 1918 with Douglas Fairbanks.
Awards, Accolades & Availability
- This film is part of the Columbia pre-Code collection, along with Virtue, Three Wise Girls, Ten Cents a Dance and Shopworn, and the set is available on Amazon and can be rented from Classicflix.
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