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Divorce

1932

Street of Women (1932) Review, with Kay Francis and Roland Young

This week, a man loves a woman whose brother loves his daughter while his wife is chatting with their architect who is also in love with a woman and… why is everyone drooling over that skyscraper?

By Danny, 1 yearJanuary 21, 2022 ago
1932

No One Man (1932) Review, with Carole Lombard and Ricardo Cortez

Penelope ‘Nep’ Newbold Carole Lombard Bill Hanaway Ricardo Cortez Dr. Karl Bemis Paul Lukas Released by Paramount Directed by Lloyd Corrigan Run time: 71 minutes Proof That It’s a Pre-Code Film “It’s pretty dull here in Palm Beach– unless you’re interested in marriage or divorce.” Penelope (Lombard) is a 22-year-old Read more…

By Danny, 2 yearsMay 3, 2021 ago
1933

The Keyhole (1933) Review, with Kay Francis and George Brent

Kay Francis and George Brent do their best to lift this One Way Passage ripoff.

By Danny, 2 yearsMarch 12, 2021 ago
1932

Forgotten Commandments (1932) Review, with Sari Maritza and Gene Raymond

Paul Ossipoff Gene Raymond Anya Sorina Sari Maritza Prof. Marinoff Irving Pichel Released by Paramount Directed by Louis Gasnier and William Schorr Run time: 75 minutes Proof That It’s a Pre-Code Film This is a film set in godless Communist Russia, so it’s kind of iffy what you could have Read more…

By Danny, 2 yearsMarch 5, 2021 ago
1931

Stepping Out (1931) Review, with Reginald Denny and Charlotte Greenwood

Sally Leila Hyams Tom Reginald Denny role Lilian Bond Released by MGM Directed by Charles Reisner Run time: 73 minutes Proof That It’s a Pre-Code Film “You were a blushing bride– and what blushes!” “Awright, I’ll go around without a stitch of clothes! Without a stitch of clothes! Like Lady Read more…

By Danny, 3 yearsJune 19, 2020 ago
1932

Sinners in the Sun (1932) Review, with Carole Lombard and Chester Morris

Doris Blake Carole Lombard Jimmie Martin Chester Morris Ridgeway Cary Grant Released by Paramount Directed by Alexander Hall Run time: 69 minutes Proof That It’s a Pre-Code Film Lombard plays a clothing model who frequently strips down and hangs out in the dressing room. Doris Blake (Lombard) becomes a kept Read more…

By Danny, 3 years ago
1930

Passion Flower (1930) Review, with Kay Francis and Charles Bickford

Dulce Morado Kay Francis Cassy Pringle Wallace Kay Johnson Dan Wallace Charles Bickford Tony Lewis Stone Tommy Dickie Moore Mrs. Harney Zasu Pitts Released by MGM Directed by William C. DeMille Run time: 78 minutes Proof That It’s a Pre-Code Film Worried that she almost fell off a cliff, Dulce Read more…

By Danny, 3 years ago
1931

Millie (1931) Review, with Helen Twelvetrees and Lilyan Tashman

Millie Helen Twelvetrees Helen Lilyan Tashman Angie Joan Blondell Released by RKO Directed by John Francis Dillon Run time: 85 minutes Proof That It’s a Pre-Code Film We’re introduced to Blondell and Tashman’s characters shacked up in bed together. Frank McHugh has a musical number (yes) about being a beautiful Read more…

By Danny, 3 years ago
1933

Beauty for Sale (1933) Review, with Madge Evans and Alice Brady

Letty Madge Evans Mrs. Sherwood Alice Brady Sherwood Otto Kruger Carol Una Merkel Mrs. Merrick May Robson Burt Barton Phillips Holmes Released by MGM Directed by Richard Boleslavsky Run time: 86 minutes Proof That It’s a Pre-Code Film “You know how divorces are.” “I’ve never been married.” “Not even once?!” Read more…

By Danny, 4 years ago
1932

The King Murder (1932) Review, with Conway Tearle and Natalie Moorhead

Henry Barton Conway Tearle Elizabeth Hawtorn Natalie Moorhead Pearl Hope Marceline Day Released by Chesterfield Pictures Directed by Richard Thorpe Run time: 67 minutes Proof That It’s a Pre-Code Film One of those films with breach of promise suits galore and mistresses on the side. The King Murder: Checkmate “What Read more…

By Danny, 4 years ago

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Svengali (1930)

Pre-Code.Com celebrates Hollywood films made from 1930 to 34, when the talkies were new and censorship was lax. Learn more about the era here, or browse our many reviews.

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