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All Reviews

1932

Young Bride (1932) Review, with Helen Twelvetrees and Eric Linden

Allie Riggs Helen Twelvetrees Charlie Eric Linden Maisie Arlene Judge Released by RKO Pathe Directed by William A. Seiter Run time: 76 minutes Proof That It’s a Pre-Code Film At the library: “Where can I get an illustrated copy of Aphrodite?” “If you go out with that guy, you’ve got Read more…

By Danny, 7 years ago
1933

Twin Husbands (1933) Review, with John Miljan and Shirley Gray

Jerry John Miljan Chloe Shirley Gray Colton Monroe Owsley Released by Invincible Pictures Directed by Frank R. Strayer Run time: 68 minutes Twin Husbands: Twisted Misters “I can’t pretend to be the victim of amnesia for more than a few hours at a time. My ego won’t permit it!” On Read more…

By Danny, 7 years ago
1930

Spring Is Here (1930) Review, with Lawrence and Alexander Gray

Steve Alden Lawrence Gray Terry Clayton Alexander Gray Betty Braley Bernice Claire Released by First National Directed by John Francis Dillion Run time: 69 minutes Proof That It’s a Pre-Code Film Dad: “Am I your father?” Daughter: “I hope so.” Dad: “So do I!” A man’s grown daughters contend that Read more…

By Danny, 7 years ago
1932

The Roadhouse Murder (1932) Review, with Dorothy Jordan and Eric Linden

Chick Brian Eric Linden Mary Agnew Dorothy Jordan Jeff Dale Roscoe Karns Released by RKO Directed by J. Walter Ruben Run time: 72 minutes Proof That It’s a Pre-Code Film Opens with a man inflating his hemorrhoid pillow. This shot is quickly followed by a drunk, disgruntled reporter typing this Read more…

By Danny, 7 years ago
1931

The Star Witness (1931) Review, with Walter Huston

Whitlock Walter Huston Ma Leeds Frances Starr ‘Pa’ Charles ‘Chic’ Sale Released by Warner Bros. Directed by William A. Wellman Run time: 67 minutes Proof That It’s a Pre-Code Film Gangsters and murders and that particular snarl we all know and love. A kid gets kicked across the room at Read more…

By Danny, 7 yearsJuly 22, 2019 ago
1932

The King Murder (1932) Review, with Conway Tearle and Natalie Moorhead

Henry Barton Conway Tearle Elizabeth Hawtorn Natalie Moorhead Pearl Hope Marceline Day Released by Chesterfield Pictures Directed by Richard Thorpe Run time: 67 minutes Proof That It’s a Pre-Code Film One of those films with breach of promise suits galore and mistresses on the side. The King Murder: Checkmate “What Read more…

By Danny, 7 yearsJuly 14, 2019 ago
1931

Man of the World (1931) Review, with William Powell and Carole Lombard

Michael William Powell Mary Carole Lombard Irene Wynne Gibson Released by Paramount Directed by Richard Wallace and Edward Goodman Run time: 71 minutes Proof That It’s a Pre-Code Film Guy Kibbee’s portly oligarch is taken with the ‘funny little green drinks’ of Paris– absinthe. “He was playing ‘nature’s nobleman’ with Read more…

By Danny, 7 yearsJune 29, 2019 ago
1932

Dancers in the Dark (1932) Review, with Miriam Hopkins and Jack Oakie

Gloria Miriam Hopkins Duke Jack Oakie Louis George Raft Released by Paramount Directed by David Burton Run time: 78 minutes Dancers in the Dark: Bumping into Things “Listen, spendthrift! The ten cents you pay is for dancing, not wrestling!” Dancers in the Dark is one of those films where I Read more…

By Danny, 7 years ago
1933

Pick-Up (1933) Review, with Sylvia Sidney and George Raft

Mary Richards Sylvia Sidney Harry Glynn George Raft Muriel Stevens Lilian Bond Released by MGM Directed by W.S. Van Dyke Run time: 92 minutes Proof That It’s a Pre-Code Film All about the kind of woman who survived the Depression any way possible, and the men who picked them up. Read more…

By Danny, 7 years ago
1932

Night Court (1932) Review, with Phillips Holmes, Walter Huston, Anita Page and Lewis Stone

Mike Thomas Phillips Holmes Judge Moffett Walter Huston Mary Thomas Anita Page Released by MGM Directed by W.S. Van Dyke Run time: 92 minutes Proof That It’s a Pre-Code Film Based on a true story, this is a film about a corrupt judge who forces women into prostitution, frames and Read more…

By Danny, 7 yearsMay 23, 2019 ago

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Pre-Code.Com celebrates Hollywood films made from 1930 to 34, when the talkies were new and censorship was lax. Learn more about the era here, or browse our many reviews.

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