1930
Young Man of Manhattan (1930) Review, with Claudette Colbert and Norman Foster
Claudette Colbert and Norman Foster star as a free wheeling pair of married journalists whose successes and dalliances put a wedge in their relationship.
1930
The Lady of Scandal (1930) Review, with Ruth Chatterton
Ruth Chatterton is set to stay with a family of square uppercrust Brits. Will wackiness ensue or just hot sex with Basil Rathbone?
1932
Lady With a Past (1932) Review, with Constance Bennett and Ben Lyon
Constance Bennett gets pygmalion’d into a sex bomb in Lady With a Past (32). Will David Manners muck everything up like usual?
1932
The Final Edition (1932) Review, with Mae Clarke and Pat O’Brien
An ace newspaper reporter hunts down a murderer in order to take down a crime syndicate– and she’s a woman?! Bless my stars and garters.
1932
The Strange Case of Clara Deane (1932) Review, with Wynne Gibson and Pat O’Brien
Clara Deane, an ambitious designer, marries a crook and is falsely implicated in a crime. Years later, she looks to reunite with her missing daughter only to run into police interference.
1930
Alias French Gertie (1930) Review, with Bebe Daniels and Ben Lyon
Gertie Bebe Daniels Jimmy Hartigan Ben Lyon Kelsey Robert Emmett O’Connor Released by RKO Directed by George Archainbaud Run time: 68 minutes Proof That It’s a Pre-Code Film A frantic Jimmy reaches down the front of Gertie’s dress to retrieve a stolen necklace. We follow a pair of career criminals Read more…
1933
Air Hostess (1933) Review, with Evelyn Knapp, James Murray, and Thelma Todd
Kitty King Evelyn Knapp Ted Hunter James Murray Sylvia Carleton Thelma Todd Released by Columbia Directed by Albert Rogell Run time: 67 minutes Proof That It’s a Pre-Code Film By now I am very used to the cringe in old movies when the husband sticks his wife over his knee Read more…
1932
A Passport to Hell (1932) Review, with Elissa Landi
Elissa Landi is a woman with a past who seduces a dolt in colonial Africa on the eve of World War I. And it gets more complex from there.
1933
Crime of the Century (1933) Review, with Wynne Gibson and Stuart Erwin
Can anyone stop Jean Hersholt from committing the perfect murder– or will they commit it themselves?!
1930
Numbered Men (1930) Review, with Bernice Clare and Conrad Nagel
It’s a singing, dancing– I’m sorry? They were all cut out? Oh. Well, here’s a rather implausible prison movie then I guess.