1933
Sailor’s Luck (1933) Review, with Sally Eilers and James Dunn
Sailors on shore leave run amok in this lousy comedy.
All Reviews
Take a Chance (1933) Review, with James Dunn and Cliff Edwards
An independent musical comedy that doesn’t make much merriment.
1930
King of Jazz (1930) Review, with Paul Whiteman
Paul Whiteman John Boles Laura La Plante Released by Universal Directed by John Murray Anderson Run time: 99 minutes Proof That It’s a Pre-Code Film There are a few mildly racy sketches, like one where an adulterer hides in the closet when the husband returns home. King of Jazz: Happy Read more…
1933
Crime of the Century (1933) Review, with Wynne Gibson and Stuart Erwin
Can anyone stop Jean Hersholt from committing the perfect murder– or will they commit it themselves?!
1930
Numbered Men (1930) Review, with Bernice Clare and Conrad Nagel
It’s a singing, dancing– I’m sorry? They were all cut out? Oh. Well, here’s a rather implausible prison movie then I guess.
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Wonder Bar (1934) Review, with Al Jolson, Kay Francis and Dolores Del Rio
Hate life? Learn about 1934’s WONDER BAR with Al Jolson.
1932
The Sign of the Cross (1932) Review, with Fredric March and Claudette Colbert
One of the wildest orgies of all time hits the screen in Cecil B. DeMille’s The Sign of the Cross.
1930
The Woman Racket (1930) Review, with Tom Moore and Blanche Sweet
Tom Tom Moore Julia Blanche Sweet Chris John Miljan Released by MGM Directed by Albert H. Kelley, Robert Ober, and Paul Bern Run time: 70 minutes Proof That It’s a Pre-Code Film Julia is a sweet gal who leaves her husband and has a few love affairs without ever ending Read more…
1932
Pack Up Your Troubles (1932) Review, with Laurel and Hardy
Laurel Hardy Eddie’s Little Girl Jacquie Lyn Released by Hal Roach Studios Directed by George Marshall, Harry Black, Ray McCarey and Lloyd French Run time: 68 minutes Proof That It’s Pre-Code In this lighthearted, rollicking Laurel & Hardy picture, we are treated to a scene where ‘Eddie’s Little Girl’ is Read more…
1932
Flesh (1932) Review, with Wallace Beery and Karen Morley
Wallace Beery is a dopey wrestler unwittingly ensnared in a love triangle in FLESH. #precode