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Women With Power

1933

Stage Mother (1933) Review, with Alice Brady and Maureen O’Sullivan

Kitty Lorraine Alice Brady Shirley Lorraine Maureen O’Sullivan Warren Foster Franchot Tone Released by MGM  | Directed by Charles Brabin Run time: 84 minutes Proof That It’s a Pre-Code Film In one of the most unique scenes of the entire pre-Code era, the titular ‘stage mother’ offers to hook her Read more…

By Danny, 8 yearsMarch 2, 2018 ago
1933

She Had to Say Yes (1933) Review, with Loretta Young, Lyle Talbot and Winnie Lightner

Florence Loretta Young Maizee Winnie Lightner Daniel Lyle Talbot Released by Warner Bros. | Directed by George Amy & Busby Berkeley Run time: 64 minutes Proof That It’s a Pre-Code Film It’s about forced prostitution, virginity, and petulant male power grabs. She Had to Say Yes: It’s an Awful, Awful Read more…

By Danny, 8 yearsFebruary 16, 2018 ago
1932

Week-End Marriage (1932) Review, with Loretta Young and Aline MacMahon

Lola Loretta Young Ken Norman Foster Agnes Aline MacMahon Released by Warner Bros. | Directed by Thornton Freeland Run time: 67 minutes Proof That It’s a Pre-Code Film A working women succeeds in a man’s world. Men wake up in the morning with one thing on their mind. Week-End Marriage: Read more…

By Danny, 8 yearsDecember 4, 2017 ago
All Reviews

Manhattan Parade (1931) Review, with Winnie Lightner and Charles Butterworth

Doris Roberts Winnie Lightner Herbert P. Herbert Charles Butterworth Lou & Jake Smith & Dale Released by Warner Bros. | Directed by Lloyd Bacon Run time: 75 minutes Proof That It’s a Pre-Code Film Set in the world of costume design, it’s a good excuse to showcase good figures. “Henry Read more…

By Danny, 8 yearsSeptember 1, 2017 ago
1934

Heat Lightning (1934) Review, with Aline MacMahon and Ann Dvorak

Olga Aline MacMahon Myra Ann Dvorak George Preston Foster Mrs. Tifton Glenda Farrell Frank Frank McHugh Mrs. Ashton-Ashley Ruth Donnelly Released by Warner Bros. | Directed by Mervy LeRoy Run time: 61 minutes Proof That It’s a Pre-Code Film Two women exit a car and beg the attendant: “Can you Read more…

By Danny, 8 yearsAugust 4, 2017 ago
1934

Back Page (1934) Review, with Peggy Shannon

Jerry Peggy Shannon Brice Russell Hopton Bill Sterling Holloway Released by Pyramid   | Directed by Anton Lorenze Run time: 65 minutes Proof That It’s a Pre-Code Film “I’ve got something red hot– all about that evangelist having a baby!” Her big scoop is a ‘love nest suicide’. Our heroine Read more…

By Danny, 9 yearsMarch 27, 2017 ago
1931

Trader Horn (1931) Review, with Harry Carey and Edwina Booth

Trader Horn Harry Carey Peru Duncan Renaldo Nina – The White Goddess Edwina Booth Released by MGM | Directed by W.S. Van Dyke Run time: 122 minutes Proof That It’s a Pre-Code Film It’s racist as hell. Another film that posits that black women’s breasts aren’t as sinful to see Read more…

By Danny, 9 yearsFebruary 6, 2017 ago
1933

Ann Carver’s Profession (1933) Review, with Fay Wray, Gene Raymond, and Claire Dodd

Ann Carver Fay Wray Bill Graham Gene Raymond Carole Rodgers Claire Dodd Released by Columbia | Directed by Edward Buzzell Run time: 68 minutes Proof That It’s a Pre-Code Film A woman… with a college degree! And… and she doesn’t want to sit around the house! It’s madness I tell Read more…

By Danny, 9 yearsSeptember 2, 2016 ago
1933

Ann Vickers (1933) Review, with Irene Dunne, Walter Huston and Conrad Nagel

Ann Vickers Irene Dunne Barney Dolphin Walter Huston Lindsey Atwell Conrad Nagel Released by RKO | Directed by John Cromwell Run time: 76 minutes Proof That It’s a Pre-Code Film One suspicious trip to Havana that ends in an out-of-wedlock child’s life ending. One prisoner is told, “We’ll have to Read more…

By Danny, 9 yearsAugust 26, 2016 ago
1934

Imitation of Life (1934) Review, with Claudette Colbert, Louise Beavers, and Warren William

Beatrice Pullman Claudette Colbert Delilah Johnson Louise Beavers Stephen Archer Warren William Peola Johnson Fredi Washington Jessie Pullman Rochelle Hudson Elmer Smith Ned Sparks Released by Universal Pictures | Directed by John M. Stahl Proof That It’s Pre-Code-ish The relationship between two women, one black and one white, and their Read more…

By Danny, 10 yearsMay 6, 2016 ago

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Pre-Code.Com celebrates Hollywood films made from 1930 to 34, when the talkies were new and censorship was lax. Learn more about the era here, or browse our many reviews.

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The Sign of the Cross (1932) Review, with Fredric March and Claudette Colbert
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