1930
A Lady to Love (1930) Review, with Vilma Bánky and Edward G. Robinson
Edward G. Robinson displays his MAGNIFICENT. ACTING. TALENT. in this misbegotten talkie from 1930.
1932
No One Man (1932) Review, with Carole Lombard and Ricardo Cortez
Penelope ‘Nep’ Newbold Carole Lombard Bill Hanaway Ricardo Cortez Dr. Karl Bemis Paul Lukas Released by Paramount Directed by Lloyd Corrigan Run time: 71 minutes Proof That It’s a Pre-Code Film “It’s pretty dull here in Palm Beach– unless you’re interested in marriage or divorce.” Penelope (Lombard) is a 22-year-old Read more
1933
Crime of the Century (1933) Review, with Wynne Gibson and Stuart Erwin
Can anyone stop Jean Hersholt from committing the perfect murder– or will they commit it themselves?!
All Reviews
Wonder Bar (1934) Review, with Al Jolson, Kay Francis and Dolores Del Rio
Hate life? Learn about 1934’s WONDER BAR with Al Jolson.
1932
Okay America! (1932) Review, with Lew Ayres
Lew Ayres is a tough-talking gossip columnist out to save the nation in Okay America! (32).
1933
International House (1933) Review, with W.C. Fields
How did W.C. Fields get his ‘pussy’ past the censors? Join a real life gold digger and read all about the unhinged pre-Code comedy International House.
1932
The Trial of Vivienne Ware (1932) Review, with Joan Bennett and Donald Cook
Vivienne Ware Joan Bennett John Sutherland Donald Cook Dolores Divine Lilian Bond Released by Fox Directed by William K. Howard Run time: 56 minutes Proof That It’s a Pre-Code Film “What I sucker I was. I thought that sugar daddy meant he was going to take me abroad for a Read more
1932
The Sign of the Cross (1932) Review, with Fredric March and Claudette Colbert
One of the wildest orgies of all time hits the screen in Cecil B. DeMille’s The Sign of the Cross.
1933
Blind Adventure (1933), with Robert Armstrong and Helen Mack
Richard Bruce Robert Armstrong Rose Thorn Helen Mack Holmes Roland Young Released by RKO Directed by Ernest B. Schoedsack Run time: 65 minutes Blind Adventure: Foggy Bottoms “Who’s that?” “It’s the dead man.” “He isn’t dead!” “You’re telling me!” On a foggy London night– a real pea-souper, as they note– Read more
1933
The Keyhole (1933) Review, with Kay Francis and George Brent
Kay Francis and George Brent do their best to lift this One Way Passage ripoff.