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Drama

1932

Sinners in the Sun (1932) Review, with Carole Lombard and Chester Morris

Doris Blake Carole Lombard Jimmie Martin Chester Morris Ridgeway Cary Grant Released by Paramount Directed by Alexander Hall Run time: 69 minutes Proof That It’s a Pre-Code Film Lombard plays a clothing model who frequently strips down and hangs out in the dressing room. Doris Blake (Lombard) becomes a kept Read more…

By Danny, 6 years ago
1933

Gambling Ship (1933) Review, with Cary Grant

Ace Corbin Cary Grant Eleanor Benita Hume Manning Jack La Rue Released by Paramount Directed by Louis J. Gasnier and Max Marcin Run time: 72 minutes Proof That It’s a Pre-Code Film Benita Hume pops out of the shower at one point and (it’s difficult to capture in a screenshot) Read more…

By Danny, 6 years ago
1932

Madame Butterfly (1932) Review, with Sylvia Sidney and Cary Grant

Cho-Cho-san Sylvia Sidney Lt. Pinkerton Cary Grant Lt. Barton Charlie Ruggles Released by Paramount Directed by Marion Gering Run time: 86 minutes Proof That It’s a Pre-Code Film A man marries two different women. Sure, it’s bigamy. It’s big of them too! (ugh) Madame Butterfly: Yuck Yuck Yuck “Before kiss, Read more…

By Danny, 6 years ago
1932

Devil and the Deep (1932) Review, with Tallulah Bankhead and Gary Cooper

Diana Sturm Tallulah Bankhead Lt. Sempter Gary Cooper Cmdr. Charles Sturm Charles Laughton Released by Paramount Directed by Marion Gering Run time: 75 minutes Proof That It’s a Pre-Code Film A woman hisses at Diana, “You probably heard me say that I’d very much like to spank you!” Diana raises Read more…

By Danny, 6 years ago
1933

King Kong (1933) Review, with Fay Wray and Robert Armstrong

Ann Darrow Fay Wray Carl Denham Robert Armstrong John Driscoll Bruce Cabot Released by RKO Directed by Merian C. Cooper, Ernest B. Schoedsack Run time: 104 minutes Proof That It’s a Pre-Code Film This film touches lightly on a ton of material from white slavery to bestiality, that would be Read more…

By Danny, 6 yearsFebruary 7, 2020 ago
1933

Peg o’ My Heart (1933) Review, with Marion Davies

Peg Marion Davies Jerry Onslow Stevens Alaric Tyrell Davis Released by MGM Directed by Robert Z. Leonard Run time: 86 minutes Proof That It’s a Pre-Code Film “You little Irish–!!” Our hero, Peg (Davies), pretends to have an illicit extramarital affair in order to help another woman out. Peg O’ Read more…

By Danny, 6 years ago
1932

The Conquerors (1932) Review, with Richard Dix and Ann Harding

Roger Standish Richard Dix Caroline Ogden Ann Harding Matilda Blake Edna May Oliver Released by RKO Directed by William Wellman Run time: 86 minutes Proof That It’s a Pre-Code Film There are a couple of particularly brutal episodes in this one, including a child begging for its life before dying Read more…

By Danny, 6 years ago
1930

Passion Flower (1930) Review, with Kay Francis and Charles Bickford

Dulce Morado Kay Francis Cassy Pringle Wallace Kay Johnson Dan Wallace Charles Bickford Tony Lewis Stone Tommy Dickie Moore Mrs. Harney Zasu Pitts Released by MGM Directed by William C. DeMille Run time: 78 minutes Proof That It’s a Pre-Code Film Worried that she almost fell off a cliff, Dulce Read more…

By Danny, 6 years ago
1932

Hell’s House (1932) Review, with Bette Davis and Pat O’Brien

Jimmy Mason Junior Durkin Matt Kelly Pat O’Brien Peggy Gardner Bette Davis Released by Allied Artists (?) Directed by Howard Higgin Run time: 72 minutes Proof That It’s a Pre-Code Film One early scene has Jimmy Mason (Durkin) trying to pick the right door to knock on, and he plays Read more…

By Danny, 6 years ago
1933

The World Changes (1933) Review, with Paul Muni, Aline MacMahon and Mary Astor

Orin Nordholm Jr. Paul Muni Anna Nordholm Aline MacMahon Ginny Claffin Mary Astor Released by Warner Bros./First National Directed by Mervyn LeRoy Run time: 91 minutes Proof That It’s a Pre-Code Film A broad historical overview that features suicide, multiple marriages and even the Great Depression. The World Changes: Never Read more…

By Danny, 7 years ago

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Pre-Code.Com celebrates Hollywood films made from 1930 to 34, when the talkies were new and censorship was lax. Learn more about the era here, or browse our many reviews.

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